Millot – Plus tu cognois

Standard

 

Title

Plus tu cognois que je brusle pour toy

Composer

Nicolas Millot (c 1535-1590)

Source

Huitiesme Livre de Chansons, published by Le Roy & Ballard, 1557

 

(text on Lieder.net site here)
(blog entry here)
(listen to the score here)
(recording not available)

 

When we had the Sweelinck settings, I mentioned that both texts were used in Le Roy & Ballard’s 8th book:  Janequin set Pourquoy tournez-vous, and this is the other setting. Nicolas Millot is a minor character who nevertheless produced quite a number of songs – around 30 survive – including several Ronsard texts. So we will meet him again.

Here is how Frank Dobbins sums him up (my own translation):

Millot’s style is rather old-fashioned, reminiscent of the courtly songs of Janequin and Arcadelt. His four-voice songs are generally homophonic with the melody in the tenor [out of fashion well before 1550] or higher voices and, occasionally, imitative passages in the other voices. Three songs present the more modern motivic imitation and compositional techniques of his great contemporary Lassus, who set the same texts. [One of them is by Ronsard – Rendz moy mon coeur.] The later songs of Millot resemble those of the most important [French] composer of the period, Guillaume Costeley [ … ] With these two composers we find for example the occasional omission of the bassus, a technique designed to lighten the vocal texture.

After that introduction it comes as a slight surprise that this song is quite charming, with light textures and much less frequent homophony than many of his French contemporaries! Nevertheless, as with some of my other judgements on these songs, this view seems not to be widely shared; and I can (again) find no recording of this song.

 

 

Mil-PTC_0001

Mil-PTC_0002

Mil-PTC_0003

Mil-PTC_0004

Mil-PTC_0005

Mil-PTC_0006

I have two copies of the 8th book: the 1557 and the 1559 editions, made available respectively by the Bibilotheque nationale de France on Gallica, and by the British Library on Royal Holloway’s digital repository: In each case only three parts have been digitised; the Contratenor is taken from the 1559 print, in a useful little book in the British Library.

 

 

 

 

Advertisements

About fattoxxon

Who am I? Lover of all sorts of music - classical, medieval, world (anything from Africa), world-classical (Uzbek & Iraqi magam for instance), and virtually anything that won't be on the music charts... Lover of Ronsard's poetry (obviously) and of sonnets in general. Reader of English, French, Latin & other literature. And who is Fattoxxon? An allusion to an Uzbek singer - pronounce it Patahan, with a very plosive 'P' and a throaty 'h', as in 'khan')

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s